276 Royalty-Free Audio Tracks for "Fm Harp"

Four samples of a celtic harp. (d4-a4-d5-f#5)looplenghts: 150-100-75-119(59,5). My own production.

My own creation. Five samples of a celtic harp,which have the followingloop-length: 336-200-150-100-67 (c3-a3-d4-a4-e5).

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.

Noise i made with a jews-harp. Recorded on zoom h6 with sennheiser ew100g3 cardioid microphone.

Looking at the spectrogram waveform display of https://freesound. Org/people/ivolipa/sounds/344948/ i noticed a few patterns. Distinct bands of high volume at around ~600hz, ~1200hz, ~1800hz, the fade in volume toward higher frequencies, a ubiquitous noise, and the soft staccato rhythm. Using these facts, i tried to make yet another engine sound with fm-synthesis. Sound forge 7 — to my knowledge — lacking a spectrogram, i've no clue if this was a successful attempt, but it does have a vaguely engine-like sound.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

Simulation of an airplane passing overhead in an outdoor environment. Sound designed in ableton live using ableton's operator and analog synthesizers, and native effects.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I used the `pluck`-function of audacity,to create this sound.

Another sketch idea.

Some riffing on a small bamboo mouth harp purchased in yunnan, china. The pumi name for these instruments is didi or cuocuo. This one is a relatively low register, for this instrument. Recorded with toptech tf-a27 digital voice recorder.

Decided to test my mic to record high frequencies)) note that even with a decrease in the loop on the octave (-12). Harmonic signal will sound up to 20 khz. Tune: f2, +25 centrecord gear: ecm 8000, prismsound lyra. .

Recorded about every sound you can get off a chinese guzheng, tuned in d pentatonic. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. No credits necessary but i'd like to hear what you use it in!.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

This is what the harp wire strings sound like when pulled really hard so that they hit each other, creating a buzzing sound. (source sound for must 121 musique concrete project, partner: megan berger).

A 5 minute silent timer with 1 minute warning chime and harp strum at 5 minutes.

Ascending tones on a harp. Created in garageband.

Baschet instrument studio recording.

Piano harp recording sequence.

Harp band filtered sample remix.

Harp band filtered sample remix.

Harp sample transformation.

Harp band filtered set remix.

Harp sample filtered 700-1200 hz.

Harp band filtered sample set remix.

Harp band filtered sample remix.

Harp band filtered sample remix.

Harp band filtered sample remix.

Harp pluck recording octaves down.

Harp band filtered sample remix.

Harp band filtered samples remix.

Harp band filtered sample set remix.

Harp band filtered samples remix.

Harp band filtered sample set remix.

Harp band filtered sample remix.

Harp band filtered sample remix.

Harp band filtered sample set remix.

Harp band filtered sample remix.

Harp band filtered sample remix.